2K to 10K 31 Plays in 31 Days 750 Words A Newbie's Guide to Publishing a room of one's own Aaron Sorkin Adam Lauver Aimee Mann Alden Jones Alexander Masters All Things Considered alphabetical order amazing Amazon Ang Lee Angels in America animation Ann Patchett Ann Voss Peterson Anne Lamott Anne R. Allen AOL Instant Messenger Apartment Therapy audio drama Austin Kleon author pages avalanche thinking baby bump Barnes & Noble basement cat Belgariad benonsensical Big Fish Bill Watterson Bird by Bird Blake Snyder blogging book porn books Books-a-Million Boston Boston Playwrights' Theatre Boston Theater Marathon Brain Pickings brainstorming Brandon Sanderson brevity Bridge Rep of Boston Buffy the Vampire Slayer BuzzFeed C.J. Redwine C.S. Lewis caffeine Calvin and Hobbes Carlo Gébler cat Catherine Lacey cats Charlie Jane Anders Cheryl Strayed Chris Baty Chuck Wendig clichés coffee collaborative writing Colson Whitehead comedy conflict copyeditor Corpse Bride Cracked.com Craig Fehrman Craig Mazin creative autobiography creative nonfiction creativity Curious George Cynthia Herron Daily Kick in the Pants Dante Alighieri David Daniel David Eddings David Farland David McRaney David Ogilvy David Rakoff day jobs Dean Wesley Smith Dear Sugar Deborah Martin delayed gratification depression description dialogue discipline divorce Dogma Dragon Age: Origins Dragonlance dreams Dungeons & Dragons East of Eden Eat Pray Love Edward Kelsey Moore Elise Capron Elmore Leonard Emerson College Emily Kaye Lazzaro endings epic Ernest Hemingway escalation ESP Esquire magazine extroverts F. Scott Fitzgerald Facebook fanfic Fangs and Clause fantasy Father's Day fear fear of the basement fellowships fiction authors Fiction500 first lines first novel flash fiction formal writing Freedom freewriting full-length plays fun. Game of Thrones Gandalf genre fiction GIgantic Sequins Go God Going Viral Google graffiti Grant Snider greeting cards Half Empty Hallmark Harper Voyager HarperCollins Harry Potter homeless people Hovey Players Hovey Summer Shorts Festival Howard Gardner Hugh Howey Hurricane Island ICanLegoThat ice cream trucks IFTTT iice cream trucks imposter syndrome Incidental Comics Independent Clause internal conflicts interviews introverts io9 Ira Glass Irish Famine italics J.A. Konrath J.K. Rowling J.R.R. Tolkien James H. Duncan James Thurber Jan Reymond Jane Vandenburgh Janice Hardy jeffjlin.com Jen Doll Joanna Penn John August John Coffee John Scalzi John Steinbeck Joss Whedon jury duty Kamala Nair Karen Russell Kevin J. Anderson Kevin Smith keyhole effect kids Kimberly Ann Southwick Kindle Singles Kristine Kathryn Rusch Kurt Vonnegut L. Ron Hubbard Lake Superior State University Le Morte d'Arthur Legos Letters of Note Letters to a Young Poet LIC One Act Festival Lifehacker.com Lilo and Stitch List of Banished Words Lists of Note literary fiction literature Llyod Alexander Lord of the Rings Luke Skywalker magical fantasy world Maine man cave manuscript factory Marc Maron Margaret Weis Mark Twain Mass Effect mass effect 3 Massacre Lane Massacre Pond Maurice Sendak Megan Stielstra microfiction Microsoft Word middle school momentum Mona Simpson money Monica Byrne monologues music musical NaNoWriMo Nathan Bransford National Novel Writing Month Native Americans Neil Gaiman Never Check E-Mail in the Morning New York Times No Plot? No Problem! nonfiction Nora Roberts note to self NPR Old Testament Olivia D'Ambrosio On Writing online resources Open Culture Oprah organization outlines outlining Outward Bound overused phrases pacing page turners pantser paper routes paradigm paradigm shift parapsychology parenthood parenting passion perfectionism Pete Docter Peter Corea picture books Piers Anthony Pixar planning playwrighting playwriting plot plotter podcast poetry pomodoro technique premonitions procrastination productivity prolific prose poem psychology publishing myths race Rachel Aaron Rachel Scheller Rainer Maria Rilke Ray Bradbury real estate rejection relationships Republic of Brown research revision reward systems Richard Feynman Robert Heinlein Romainmôtier Roni Loren rough drafts running Ryan Casey Samuel Park Save the Cat! Scarborough scheduling schizophrenia science fiction Science Fiction & Fantasy Writers of America Scientology scrivener self-doubt self-publishing sequence Shadowrun Shakespeare shared sacrifice Sherwood Anderson shitty first drafts short films short plays short stories short-short stories singing single parent Sir Thomas Malory sketches smart phones smartphones Songs of Innocence and Experience soundtrack South Portland Spider-Man SPIN Magazine Starbucks steal like a writer Stephen King Stephen Marche stories submitting success! suicide Susan Sontag Tad Williams Tasslehoff Burrfoot teaching technology telekinesis ten-minute plays terribleminds thank you in advance The Atlantic Wire The Berenstain Bears The Boston Globe The Business Rusch The Chronicles of Narnia The Chronicles of Prydain The Creative Habit The Creative Penn The Divine Comedy The Formative Years The Game The Getaway Car The Girl in the Garden The Grinder The Interview The LIfe of Pi The Lighthouse The Manuscript Factory the new normal The New York Times The Old Reader The Other Side of the Story The Passive Voice The Rumpus Thelonious Monk thinking patterns This American Life Three-Minute Fiction time travel timed writing Tony Kushner Torch transcript Trinity College Tuesdays with Morrie Twitter Twyla Tharp undefined Vericon vignettes Virginia Woolf Voltron Wall Street Journal Whatever Where the WIld Things Are Wikipedia Wild William Blake William Shakespeare Winesburg Ohio Wool workaholic workflowy Working Writers world building Write or Die Writer... Interrupted writerly bedrooms writerly headspace writers writers block Writer's Digest Writer's Market writing writing early writing fast writing routines Written? Kitten! WTF Podcast You Are Not So Smart

Entries in outlines (2)


Week Twenty Seven: Parented!

Read it. Read it and weep.

Between this and last week's story (or excerpt, I guess), I seem to be 1,290 words into a fantasy novel I had outlined about a month ago but then sat on. The great surprise is how much I enjoy writing a scene here and another scene there, rather than starting at the start and working my way through. I'm someone who has to watch movies and their sequels in the order they were intended. I'll never read the end of a book before I begin it (not to name names, Breda). 

But for some reason none of that applies here. Maybe it's because I have so much reverence for story that I'm terrified of writing a bad one, but if I can just sit down and tell myself Today, the merchant talks to Garith about parenting and taking responsibility... and also he's kinda drunk, it feels more like playing than work. I know some (or many) of the details will change later, but for now I'm just exploring character. And building something, scene by scene.

So the time has come, ladies and gents. I'm gonna try to write a book. I'm setting myself a deadline of October 31st for the rough draft (~90,000 words). Too ambitious? I defy your caution.

Please wish me luck (and lots and lots of impulse control).

Meanwhile, did this week's prompt do anything for your own writing?


"The myth is that the magic is so fickle that something so instrumental as an outline will somehow diminish it"

From Chuck Wendig, some new (at least for me) advice about outlining:


Not comfortable with doing one big hunka-hunka-burning-outline right at the outset? Ta-da, outline as you go. Boom! Solved it. YOU OWE ME MONEY NOW. Ahem. What I’m trying to say is, every week, outline for the week ahead but no further. This keeps you flexible and still makes it feel that you’ve still got some mystery and majesty ahead of you around the corner of every cliff’s edge. Hell, you could even outline only the next day — stop writing today, outline tomorrow’s writing before you begin.



Writers are beholden to many fancy myths. “The Muse! My characters talk to me! I’d just die if I couldn’t write!” The myth of how an outline robs you of your creative juju is one of them. I don’t want to defeat your magic. I don’t want to suggest that writing and storytelling isn’t magic — because hot damn, it really is, sometimes. The myth isn’t about the magic; the myth is that the magic is so fickle that something so instrumental as an outline will somehow diminish it. If after outlining a story you think the thunder has been stolen and you don’t want to write it anymore, that’s a problem with you or your story, not with the loss of its presumed magic. An outline can never detail everything. It’ll never excise the magic of all the things that go into the actual day-to-day writing. If that magic is gone, either your story didn’t have it in the first place, or you’re looking for excuses not to write the fucking thing.

Read the whole thing here!