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Entries in Joss Whedon (4)


Joss Whedon on being prolific

It's Friday, Friday...!

From Joss Whedon, some great nitty-gritty advice (sprinkled with characteristic Whedon wit) about being prolific, or trying to, or... er... bribing oneself to:


Whedon has acknowledged the ironic fact that he hasn’t finished Getting Things Done. And he has mentioned eating dessert first. So I must ask, “Is dessert a metaphor?”

“No,” he replies. “No, I’m saying give me cake. Why didn’t you bring cake? Didn’t they explain how these things work?” And then he gets serious, more or less. “I have a reward system. I am the monkey with the pellet and it’s so bad that I write almost everything in restaurants or cafes [so] that when I have an idea, I go and get chocolate." He doesn’t wait to flesh out the idea and then reward himself, he rewards himself simply for having the idea. "I’ll write it down and then get some chocolate. I have the idea, I get my pellet . . . I mean I’m terrible. I don’t put that on the list because that’s not advice. That’s something I’m seeking help for. It’s a vice and it’s different than advice."

Oh, come on, you’re obviously making it work.

“But I could be better. I can make it work better and I’m trying to teach myself more discipline because when you have children and you are an artist, you already have more than fills a day. I would also like to have friends, hobbies, maybe read a book sometime.”

Read the whole article here! It's a good'un.

The man has no shortage of ideas, so my takeaway is that he must have the metabolism of a hummingbird. Or he's exagerating. But probably the former.

See you Sunday! With your stories! About fifth floors, or lack thereof!


My creative autobiography

In Twyla Tharp's The Creative Habit, which was commended to me by someone who knows of habits creative, the author asks thirty-three questions, the answers to which will then constitute your "creative autobiography." 

Now, I love me some how-to books about writing, but for some reason I read them like easy novels and then put them away. I have never, not once, actually completed any of the exercises in those books. 

Until today.

So brace yourself, because this is a long'n...

What is the first creative moment you remember?

Playing “Make Pretend” with my sister Sarah and other childhood friends. “Let’s make pretend that we’re Care Bears!” “Let’s make pretend” ...I don’t know... “that we’re baby birds!” It was really just us pretending to be things we had seen. Also, “imaginate” was a verb.

Was anyone there to witness or appreciate it?

The other kids who were also playing, mostly. I don’t remember any sort of adult presence during these. Surely there was, somewhere. I mean, right? Otherwise: irresponsible.

What is the best idea you’ve ever had?

Probably starting this blog.

What made it great in your mind?

I thought it could be a fun and unique way to make peace with my college experience and make me publicly accountable for my writing output each day and possibly attract an audience for future books.

What is the dumbest idea?

Getting a graduate degree in Creative Writing immediately after graduating from college with a bachelor’s degree in Creative Writing.

What made it stupid?

Three reasons: 1) While I did learn a few things about myself and my writing, and though I did find several good friends, I didn’t need a second degree in Creative Writing. (Whether I needed the first is also debatable.) 2) I would have gotten so much more out of the experience if I had taken a year or two between degrees to be in the “real world,” establish better goals and a work ethic, etc. 3) And, worst of all, I couldn’t afford it—my year was 100% financed by student loans. The level of debt I took on affected my life and future prospects in ways I could have predicted but did not.

Can you connect the dots that led you to this idea?

Yep. As I wrote in Week Ten’s nonfiction piece, “I had already accrued a terrifying amount of debt from my undergraduate years, and I feared that the Sallie Mae steamroller would destroy my life if I had to start making payments before I had my Master’s degree. At this time, my understanding was that Master’s degree = college professor, and college professor = ability to pay off staggering debt in timely manner.” I believed that a Master’s degree was the only way to achieve my dreams, and that if I didn’t get the Master’s degree now then I never would.

What is your creative ambition?

To make a comfortable living writing, teaching, and collaborating with others.

What are the obstacles to this ambition?

There are considerable financial obstacles. My aforementioned student debt, for one. Probably a larger obstacle, though, would be sustaining the writerly discipline, which seems to work only in short bursts, and only if I am tending to a variety of projects—no one of them getting my full attention. I also love certain video and computer games beyond reason or cure. They’re particularly addicting when I should be writing.

What are the vital steps to achieving this ambition?

Establish an aggressive writing routine. Do not waver from it. Re-establish the routine immediately after I waver from it.

How do you begin your day?

I have for several months been getting up between thirty and sixty minutes early and trying to use at least some of that time for writing. Make coffee, eat breakfast while reading email and catching up on Facebook and blogs, retreat to home office with coffee and attempt to squeeze out some words before I have to shower and leave for work.

What are your habits? What patterns do you repeat?

I know I would be a lot more productive if I saved the email/Facebook/blogs for after I’ve written, but if procrastination is poor impulse control, then I am a master procrastinator. I do tend to jump from thing to thing. A real writing streak happens rarely, and only in moments of perfect engagement or (more likely) deadline-induced panic.

Describe your first successful creative act.

I don’t remember if it was fourth or fifth grade, but out of nowhere I wrote this epic adventure about my and my sister’s mice—Michael and Zach. I was discovering the story as I was writing it and I enjoyed every minute. I don’t remember if I showed it to anyone or what their reaction was. I wish I still had it.

Describe your second successful creative act.

This was maybe seventh or eighth grade? My friend Chris and I imbibed near-lethal quantities of Jolt soda and stayed up until 2 or 3am writing a parody script of Star Trek: The Next Generation that had to do with, uh, adolescent... concerns. And over the next few weeks we even designed and assembled a cardboard set for the movie in my mother’s basement. Tragically, we never did film it.

Compare them.

Both involved writing that was spontaneous and fun to do. Neither felt like work—I couldn’t wait to find out what happened next. And they both had to do with things I was interested in.

What are your attitudes toward:

Money? Like a wild animal or a loaded gun, it can hurt you if you do not handle with extreme caution.

Power? Not interested. Wouldn’t know what to do with it if I had it. I like collaborating too much.

Praise? Yes please! (Though my first impulse is always to deny or demur.)

Rivals? Like power, not really something I think about. (Apart from occasional pangs of jealousy. We all get those. I’m not a monster.)

Work? Where I find meaning. Or could. Someday. Maybe.

Play? Much more fun than work.

Which artists do you admire most?

Joss Whedon. Tony Kushner. Aaron Sorkin.

Why are they your role models?

They are all writers with a unique style that is equal parts funny and poignant without detracting from either. 

What do you and your role models have in common?

Though I’m not at their level, funny and poignant is also what I do when I’m firing on all cylinders.

Does anyone in your life regularly inspire you?

Apart from my girlfriend, who is wonderful, and my cat, who is totally awesome and not at all conceited about it, and my friends and family and have I covered my ass yet…?, I don’t know that I have a mentor or one source of inspiration. My inspiration mostly comes from the things I read and see, and then, once I have ingested enough, from within.

Who is your muse?

Thalia and Melpomene, of course—the Greek muses of comedy and drama, respectively. Kidding. I just looked that up. Do people really still have muses?

Define muse.

Your ideal audience, I guess? Someone or many someones you hope to impress or amuse? (Amuse! See what I did there without even trying?)

When confronted with superior intelligence or talent, how do you respond?

I wet myself both as a defense mechanism and to show submission.

When faced with stupidity, hostility, intransigence, laziness, or indifference in others, how do you respond?

Depends whether or not I am invested in this particular’s person success. If I am, even a little (and it does not take much), then I try to advise, help, inspire, cajole, and/or argue with. If I am not, then I avoid. Like a stupid, hostile, intransigent, lazy, and indifferent plague.

When faced with impending success or threat of failure, how do you respond?

Success, like praise, can make me feel oogy. I am probably a high-functioning sufferer of the Imposter Syndrome. Failure itself can knock me down for a while. But the threat of failure can motivate me unlike anything else. (My father’s half of the family fondly refers to this as the “Crose Call.”)

When you work, do you love the process or the result?

Sometimes I love the process. Usually I love the result more, because now it’s out there and people can respond to it. For some reason, it’s only when people respond to something I did that I feel like I actually did it.

At what moments do you feel your reach exceeds your grasp?

When I log in to my bank account and am confronted with certain hard truths.

What is your ideal creative activity?

Either brainstorming with collaborators or writing something when I am truly plugged in to it.

What is your greatest fear?

Disliking my life and feeling helpless to change it. Being a bad or disinterested parent. Being disliked and/or utterly alone.

What is the likelihood of either of the answers to the previous two questions happening?

Very likely and not very likely, respectively.

Which of your answers would you most like to change?

The “greatest fear” one, with my attitude toward money a close second.

What is your idea of mastery?

Confidence. An inner calm. Unshakable faith in myself and the process. A sense of purpose.

What is your greatest dream?

A happy family, a beautiful restored farmhouse, close friends, and making a comfortable living writing, teaching, and collaborating with others.


Well, that revealed some interesting stuff! "Collaborative" and "collaboration" are my two favorite words, but I really had no idea just how people-centric many of my hopes and fears are. It also made me realize that I need to focus more on chasing what's fun in my writing rather than what I suppose people will think is good. Also-also, I need to make a lot of money so I can stop worrying about money.

Did this stir up anything for you? I'd be interested to see how other people respond to these same questions. Post a link in the comments if you give this a try on your blog!


Brainstorming Week Six, continued

In addition to the fantasy-collides-with-real-life trope, I also love stories where a ragtag band of friends/people thrown together by circumstance have to find a way to survive and even thrive in their new reality: the Harry Potter series, the Belgariad series, The Chronicles of Prydain, Buffy the Vampire Slayer and The Chronicles of Narnia (again)... probably scads of others I can't remember at the moment. The Dragonlance Chronicles. Oh—and the Lord of the Rings, of course.

What I love about these is how the adventure not only shapes the characters but also their relationships with one another. I would gleefully read these books/watch these shows for as long as the story continued, so long as the saga maintains that same level of urgency and discovery.

How about you? Why do you enjoy these kinds of stories?


Brainstorming Week Six

[Yep. Still at the brainstorming stage. I had a business trip and then got a cold, okay? At least I'm being transparent about this...]

Some of my favorite stories feature scenarios that may have actually happened or may just be in the character's head, but more important than "was it real or wasn't it?" is what they experience and how that changes them: Calvin and Hobbes, The Chronicles of Narnia, Angels in America, The Life of Pi, and probably dozens of others that have shaped me in some way. Where the Wild Things Are. Buffy the Vampire Slayer and Lilo and Stitch, kinda.

That's the kind of story I want to write. Maybe not a literal journey into the "psyche" but a fantastic journey that is a metaphor of some kind for what our intrepid heroes struggle with. Did it happen or didn't it? Doesn't matter.